How to publish a short story online

A short story lives or dies by being passed from one reader to another, and what gets passed is a link.

A short story is a complete thing read in one sitting. Publishing one well is mostly about the moment it gets shared and the moment it gets finished.

A story link shared in a messaging app, showing title, line and image.
A story link shared in a messaging app, showing title, line and image.

This guide covers the submission question, the share, and the ending.

Check submissions first

This is the decision that cannot be undone.

Most journals and anthologies count a publicly readable page as previously published, which makes the story ineligible. Some accept work from a personal site; many do not.

If you intend to submit, either hold the story back or keep it at an unlisted address not linked from anywhere. Read the guidelines rather than assuming, because a story cannot be unpublished.

If you are not submitting, publish it properly and make it easy to pass around.

The share is the distribution

Short fiction spreads by one reader sending it to another. That is the whole mechanism.

What gets sent is a link, and what determines whether it gets opened is the preview card: a title, a line of description, an image.

Without metadata in the page, a shared story is a naked address in a message thread, and naked addresses are scrolled past even when the sender said something enthusiastic about them.

Write the description as a hook rather than a summary. One sentence that makes someone want the next one.

Bare address Preview card
Shows the title No Yes
Shows a hook No Yes
Has an image No Yes
Gets opened Sometimes Much more often

Say how long it is

A reading time at the top, before the story begins.

The reader is deciding whether they have room for this right now. Twelve minutes is a decision they can make; an unknown length is a decision they postpone, and postponed means never.

Being honest about a long piece loses fewer readers than leaving them to discover it at the halfway point.

Typography for one sitting

A story is read continuously, which is a different demand from an article that gets skimmed.

Comfortable measure, around sixty to seventy characters. Generous line spacing. A size larger than interface text. Enough contrast without harshness.

Anything mildly uncomfortable becomes genuinely uncomfortable by the end, and the reader attributes the tiredness to the story.

The end of a story with a short author line and a signup beneath it.
The end of a story with a short author line and a signup beneath it.

The ending is the willing moment

Someone has just finished something they enjoyed. That is the most receptive they will be to anything you ask.

A short line about you, a link to two other stories, and one field to hear about the next. Not a wall, not a plea. Three things.

Most published stories end and then nothing happens, which wastes the only moment in the whole encounter where the reader was actively looking for more.

For the surrounding ground, see How to share a short story as a link and How to publish a novel online.

Put it at an address

Check submission rules before publishing, add metadata so the share looks like something, state the reading time, set typography for continuous reading, and put a short line and a signup after the ending.

Then a story that one person liked reaches the next one.

Questions people ask

Does publishing online stop me submitting it?

Usually. Most journals treat a publicly readable page as previously published. If you intend to submit, keep the story unlisted or hold it back until it has been placed.

What makes a shared link get opened?

A preview card with the title, a line and an image. Without metadata a shared story is a bare address, and a bare address is scrolled past.

Should I say how long it is?

Yes. A reading time at the top tells someone whether they have room for it now, and it converts a maybe-later into a read-now more often than it loses anyone.

What matters for the typography?

A comfortable measure, generous spacing and a size on the larger side. A story is read in one sitting, so anything mildly tiring becomes actually tiring by the end.

Should there be anything after the ending?

A short line about you and a way to hear about the next one. A reader who just finished something they liked is the most willing they will ever be.

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